![]() Mori developed lines of evening gowns, daywear, business attire, and men’s and children’s clothing, as well as collections of shoes, handbags, gloves and scarves. With her textile-executive husband, Ken Mori, as her business manager, Ms. ![]() They were for a majority of women who did not seek the limelight, only the quiet pleasures of dressing in subtle colors and patterns: silk cocktail dresses with obi sashes, chiffon gowns afloat with purple-orange mists, and skirts and dresses printed with rose petals, reeds or wispy clouds. Her creations were not for women who wanted to make an entrance, as a Vogue editor put it. She was also in 1977 the first Asian woman to join the ranks of Christian Dior, Chanel, Givenchy, Armani, Versace, Valentino and Karl Lagerfeld in Paris shows, where the competition and the stakes were as high as they get in fashion. It said she had fallen ill two days before her death.įrom a dressmaking shop catering to the wives of American G.I.s in what had been a bombed-out section of Tokyo, Hanae Mori (pronounced HA-na-eh MO-ree), the daughter of a surgeon, climbed to global fame in a 50-year career that brought fabulous wealth the creation of 20 companies palatial homes in Paris, New York and Tokyo and remarkable standing for a woman in a male-dominated profession and society.Īfter decades of struggle to refine and market her styles, she was admitted in 1977 to the Chambre Syndicale de la Haute Couture, the first Asian woman to join the Paris guild of the world’s top designers. Her office confirmed the death on Thursday without specifying a cause. Hanae Mori, the Japanese couturier who emerged from the ruins of World War II on the wings of her signature butterfly to build a $500 million fashion house that popularized East-West styles and symbolized the rise of postwar Japan, died on Aug.
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